“[T]rying to use 1984 as a map through the Trump presidency might pose just as many distortions as insights . . . because our efforts and attention might be drawn into an ineffectual resistance against an enemy unlikely to arrive, while the real villain slips in unnoticed in his place. What’s required, then, is a close reading of 1984 to see where it fits and diverges from what’s happened so far . . . .”
Searle’s close reading is something we should think about carefully. Please click on the link to his blog above and read his thoughts.
One of the benefits of being kind to librarians is the occasional advanced proof of a book that feels written just for you. Sometimes, as is the case with Elan Mastai’s wonderful All Our Wrong Todays, these advanced copies even include a short note beginning with “Dear Librarian,” which makes even the Dystopian Movie Society feel intellectual and savvy.
Mastai’s stunning first novel is a break from his day job, writing movies. No wonder we here at the DMS fell in love. The main character, whose name I shall not print here for reasons that will become apparent if and when you purchase and read this book, is kind of a dick. Naturally, we can all relate to him.
The utopia readers see at the start of the book, however, is a prelude to the time travel narrative in which our protagonist becomes the first time-traveler, accidentally creates our reality as a dystopian alternate timeline, discovers the concept of temporal drag, and maybe loses his mind. It is phenomenal. Of the many differences noted between the teased utopia and our own world, my favorite was Kurt Vonnegut.
As the main character tells it, “Vonnegut’s writing is different where I come from. Here, despite his wit and insight, you get the impression he felt a novelist could have no real effect on the world. He was compelled to write, but with little faith that writing might change anything. . . . [I]n my world Vonnegut was considered among the most significant philosophers of the late twentieth century. This was probably great for Vonnegut personally but less so for his novels, which became increasingly homiletic.”
Tilda Swinton! This film is a wonderful reimagining of the french graphic novels. Before or after watching the film, get some fish and read allthreevolumes. Also, is there anyone who is not heart breakingly attracted to Tilda Swinton? If you are indifferent, please watch Only Lovers Left Alive and then try to tell me you don’t want her to turn you. Tilda, if you are reading this, I pledge my devotion.