Christopher Soren Kelly gives a strong performance, but Infinity Chamber always feels one step away from brilliant.
Travis Milloy’s film centers on Frank, played by Kelly, who wakes up in a prison cell monitored and looked after by a computer. Although the plot is another of the time-loop/questionable-reality genre, of which Stanislaw Lem’s The Futurological Congress is one of our favorite examples, Infinity Chamber feels original. The film never quite lives up to the expectations set during its first thirty minutes, but it allows for two interesting interpretations without being cryptic or heavy-handed. It pairs well with this brief essay from the Boston Review, Philip K. Dick and the Fake Humans.